Box 22
Container
Contains 37 Results:
"Die Nachtigallen" (Eichendorff). Solo voice with piano accompaniment. 1 ms. leaf (i.e., 2 pp.), ink, in Schenker's hand; recto has corrections on pasteover, Dated 19, VI. 1897.
unspecified — Box: 22, Folder: 30
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
Dated 19, VI. 1897.
Found in:
Manuscript Collections
/
Oswald Jonas memorial collection
/
I. Heinrich Schenker materials
/
Ie. SCHENKER AS COMPOSER: MUSIC MANUSCRIPTS AND PUBLISHED EDITIONS
/
<emph render="bold"><emph render="italic">Vocal Music </emph> </emph><emph render="italic">without Opus Numbers (arranged by title)</emph>
"O mein einsam, einsam, einsam Kissen" (Byron). Solo voice with piano accompaniment. 4 versions:
unspecified — Box: 22, Folder: 31
Scope and Contents note
2 ms. leaves (i.e., 3 pp.), ink, in the hand of a copyist, with ink and pencil additions in Schenker's hand. Title: "Mein einsam Kissen." Signed: H. Schenker.
2 ms. leaves (i.e., 4 pp.), ink with pencil additions, Schenker's hand. With text note: "(Klagelied von Byron, übersetzt von O. Gildemeister)." Signed: "comp. von H. Schenker".
2 ms. leaves (i.e., 3 pp.), ink with pencil...
Dates:
circa 20th century, undated.
Found in:
Manuscript Collections
/
Oswald Jonas memorial collection
/
I. Heinrich Schenker materials
/
Ie. SCHENKER AS COMPOSER: MUSIC MANUSCRIPTS AND PUBLISHED EDITIONS
/
<emph render="bold"><emph render="italic">Vocal Music </emph> </emph><emph render="italic">without Opus Numbers (arranged by title)</emph>
"Rosenzeit." Solo voice with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink and pencil in Schenker's hand (second leaf completed in pencil)
unspecified — Box: 22, Folder: 32
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
circa 20th century, undated.
Found in:
Manuscript Collections
/
Oswald Jonas memorial collection
/
I. Heinrich Schenker materials
/
Ie. SCHENKER AS COMPOSER: MUSIC MANUSCRIPTS AND PUBLISHED EDITIONS
/
<emph render="bold"><emph render="italic">Vocal Music </emph> </emph><emph render="italic">without Opus Numbers (arranged by title)</emph>
"Das Sträusschen. Altböhmisch." (Goethe). 5 mixed voices a capella with soprano solo. 4 ms. leaves (i.e., 6 pp.); beginning of song on pasteover; ink, in Schenker's hand; cover title in another hand, Dated 23. VI. 1897.
unspecified — Box: 22, Folder: 33
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
Dated 23. VI. 1897.
Found in:
Manuscript Collections
/
Oswald Jonas memorial collection
/
I. Heinrich Schenker materials
/
Ie. SCHENKER AS COMPOSER: MUSIC MANUSCRIPTS AND PUBLISHED EDITIONS
/
<emph render="bold"><emph render="italic">Vocal Music </emph> </emph><emph render="italic">without Opus Numbers (arranged by title)</emph>
"Wiegenlied" ("Bienchen, Bienchen wiegt sich in Sonnenschein." Richard Dehmel). Solo voice with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink, in copyist's hand
unspecified — Box: 22, Folder: 34
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
circa 20th century, undated.
Found in:
Manuscript Collections
/
Oswald Jonas memorial collection
/
I. Heinrich Schenker materials
/
Ie. SCHENKER AS COMPOSER: MUSIC MANUSCRIPTS AND PUBLISHED EDITIONS
/
<emph render="bold"><emph render="italic">Vocal Music </emph> </emph><emph render="italic">without Opus Numbers (arranged by title)</emph>
Sketches for songs. 6 ms. leaves (i.e., 11 pp.), ink and pencil
unspecified — Box: 22, Folder: 35
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
circa 20th century, undated.
Found in:
Manuscript Collections
/
Oswald Jonas memorial collection
/
I. Heinrich Schenker materials
/
Ie. SCHENKER AS COMPOSER: MUSIC MANUSCRIPTS AND PUBLISHED EDITIONS
/
<emph render="bold"><emph render="italic">Vocal Music </emph> </emph><emph render="italic">without Opus Numbers (arranged by title)</emph>
Music for Hamlet. Orchestra and voices. Includes, all in Schenker's hand:
unspecified — Box: 22, Folder: 36
Scope and Contents note
"Eintrag der Schauspieler." Piano score. 1 ms. leaf (i.e., 2 pp.), ink, title in pencil [Act 3, scene 2].
"Lied der Ophelia, Act 4, scene 5." 4 ms. leaves (i.e., 8 pp.), voice and orchestra. 3 songs numbered in pencil: No. 5 "Wie erkenn' ich." pencil with ink additions, followed by "ein Todtenmarsch [sic] Act 5 scene 2." pencil...
Dates:
circa 20th century, undated.
Found in:
Manuscript Collections
/
Oswald Jonas memorial collection
/
I. Heinrich Schenker materials
/
Ie. SCHENKER AS COMPOSER: MUSIC MANUSCRIPTS AND PUBLISHED EDITIONS
/
<emph render="bold"><emph render="italic">Vocal Music </emph> </emph><emph render="italic">without Opus Numbers (arranged by title)</emph>