Box 18
Contains 10 Results:
[variant 1] Universal-Edition No. 812. Wien: "Universal-Edition" 43pp. Autographed "Dem liebsten Floriz / Heinrich". With extensive revisions in Heinrich Schenker's hand. Lacks "Vorwort"; place of publication identified as "in Wien.", [n.d.]. [1904]
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
[variant 2] Neu revidierte u. vermehrte Auflage. Universal-Edition No. 812. Wien: "Universal-Edition" 72,[2]pp. Autograph presentation copy to Dr. Robert Brünauer, with a few marginal ms. annotations. "Vorwort" dated "Wien, im Juni 1908;" place of publication stated as "in Wien." Lacks back cover, [n.d.]
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
[variant 3] Neu revidierte u. vermehrte Auflage. Universal-Edition No. 812. Wien: "Universal-Edition" 72,[2]pp., and 37 interleaves. Rebound in cloth and interleaved with blank pages on which Schenker has written additions and revisions. "Vorwort" dated "Wien, im Juni 1908;" place of publication "in Wien." With 2 ms. leaves of musical illustrations in Schenker's hand, including 9 further examples for p. 39, laid in, [n.d.]
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
[variant 4] Neue [sic] revidierte u. vermehrte Auflage. Universal-Edition No. 812. Wien; Leipzig: "Universal-Edition" 72,[2]pp. Publisher's advertisement on back cover Title-page differs slightly; agents in Budapest, Leipzig and London omitted. Place of publication "Wien-Leipzig." "Vorwort" dated "Wien, im Juni 1908." This variant not annotated, [n.d.] dated X-1921.
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
"Anhang zum Beitrag zur Ornamentik....Gefunden...im Nachlass von Dr. Heinrich Schenker." 2 typescript leaves; draft title-pages for a projected work
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
[Harmonielehre. Nachträge" [zu Schenkers Harmonielehre, mit Druckfehlerverzeichnis und Erläuterungen von Otto Vrieslander]. 156 leaves in an unidentified hand, with cover sheet marked "Reinschrift zu Schenker: Nachträge...Druckvorlage." Prepared for the press but never published, 1906] "
[There are no original Schenker manuscripts or early editions of Harmonielehre (1906) in the collection.]
Harmonielehre. Manuscript and typescript drafts, notes, and related material for Jonas's English edition, (1954).
Instrumentations-Tabelle, von Artur Niloff [pseud. of Heinrich Schenker]. Wien: "Universal-Edition," Plate [2]pp., folding table. On cover: II. Aufl, c1908. 1999.
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
Instrumenten-Tabelle, mit einer Einführung, [von] Artur Niloff. Wien: Universal-Edition, [4]pp., folding table. A later edition with expanded introduction, c1908.
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
"Vom Vortrag." Draft ms. of Die Kunst des Vortrags, in Jeanette Schenker's hand with additions by Heinrich Schenker. 86 ms. leaves. (For Schenker's ms. notes, see Box 21 f. 7-21. For related material prepared by Jonas, see Box 33 f. 4 and Box 57 f. 2-5), [ca. 1912.]
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.