Box 19
Contains 23 Results:
13 ms. leaves of music including 2 conjugate leaves, and 3 leaves (with 3 captions) mounted on heavy art paper
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
15 ms. leaves of music including 2 pairs of conjugate leaves and mounted fragments; also 1 leaf printer's proof of text with ms. quotations from Goethe attached
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
21 ms. leaves of music for Heft 6, many leaves consisting of fragments mounted on heavy paper, but including 3 pairs of conjugate leaves; also 2 leaves engraver's proof of Urlinie tables for Beethoven Symphony no. 5, extensively revised in Heinrich Schenker's hand
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
13 ms. leaves of music for Heft 8/9, including 4 conjugate leaves; also 9 leaves of engraver's proofs with extensive revisions in proof by Heinrich Schenker, and 1 typescript leaf, "Titelsatz.", dated 11./9./1924
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
Separate issue of Heft 2 as published (Wien: Tonwille-Flugblätterverlag, 48pp., 2 folded tables, original grey covers, 1922).
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
Das Meisterwerk in der Musik, Band II. München: Drei Masken Verlag, Mss. as prepared for the printer, all in Jeanette Schenker's hand with additions in Heinrich Schenker's hand, 1926.
Das Meisterwerk in der Musik, Band III. München: Drei Masken Verlag, Figuren" (musical examples) 1-49 prepared for "Beethovens Dritte Sinfonie." ms. leaves 1-23 and 2 conjugate half-leaves; ink and colored pencil in Schenker's hand, 1930. "
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.