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Box 16

 Container

Contains 11 Results:

"Joh. Seb. Bach: Wohltemperiertes Klavier, Band I, Präludium C-moll." Die Musik XV/9 641-51. Complete issue of Heft 9 as published, (Juni 1923),

 unspecified — Box: 16, Folder: 1
Scope and Contents note From the Sub-Series:

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Dates: (Juni 1923),

"Die Kunst der Fuge." Note on Wolfgang Gräser's ordering of Die Kunst der Fuge, , dated 15.II.27.

 unspecified — Box: 16, Folder: 2
Scope and Contents note
  1. ms. leaves 1-5 and 5 ms. note fragments, in the hands of Heinrich and Jeanette Schenker.

Schenker's major writings about Bach are scattered throughout his theoretical work, especially in Der Tonwille and Das Meisterwerk in der Musik. Consult the index, also Box 24 (Bach editions).

Dates: dated 15.II.27.

Sonata. Op. 14, no. 2

 unspecified — Box: 16, Folder: 3
Scope and Contents note "Schindlers Beschreibung von Beethovens Vortrag der Sonate Op. 14, no. 2 [und] Schenkers Erläuterungen hiezu." ms. leaves 1-40 written in parallel columns in an unidentified hand. "Zitate aus Schindlers `Beethoven'." 5 conjugate ms. leaves in an unidentified hand. "Auszug aus Schindlers `Beethoven'." 21 conjugate ms. leaves, the last 5 blank, in an unidentified hand. ...
Dates: circa 20th century, undated.

Sonata. Op. 27, no. 2

 unspecified — Box: 16, Folder: 4
Scope and Contents note From the Sub-Series:

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Dates: circa 20th century, undated.

Symphony No. 3. Op. 55

 unspecified — Box: 16, Folder: 5
Scope and Contents note From the Sub-Series:

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Dates: circa 20th century, undated.

Sonata. Op. 101

 unspecified — Box: 16, Folder: 6
Scope and Contents note From the Sub-Series:

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Dates: circa 20th century, undated.

Sonata. Op. 109

 unspecified — Box: 16, Folder: 7
Scope and Contents note From the Sub-Series:

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Dates: circa 20th century, undated.

Sonata. Op. 109

 unspecified — Box: 16, Folder: 8
Scope and Contents note From the Sub-Series:

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Dates: circa 20th century, undated.

Sonata. Op. 110

 unspecified — Box: 16, Folder: 9
Scope and Contents note From the Sub-Series:

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Dates: circa 20th century, undated.

Sonata. Op. 111

 unspecified — Box: 16, Folder: 10
Scope and Contents note From the Sub-Series:

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Dates: circa 20th century, undated.