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Box 17

 Container

Contains 12 Results:

Symphony No. 9. Op. 125

 unspecified — Box: 17, Folder: 1
Scope and Contents note From the Sub-Series:

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Dates: circa 20th century, undated.

"Beethoven-`Retouche'." Article by Schenker in Wiener Abendpost, Beilage zur Wiener Zeitung, p. 6-7. Photocopy (for original publication see Box 20 f. 5), 9 Jan. 1901,

 unspecified — Box: 17, Folder: 2
Scope and Contents note From the Sub-Series:

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Dates: 9 Jan. 1901,

"Beethoven und seine Nachfahren." Article by Schenker in General-Anzeiger für Bonn und Umgegend , (1927).

 unspecified — Box: 17, Folder: 3
Scope and Contents note
  1. Ms., 9 leaves, in Jeanette Schenker's hand, with cover dated 27.III.27; together with 3 newspaper clippings, 1926-28, concerning Beethoven mss.
  2. Photocopy of published article (for clipping of original newspaper publication see Box 20 f. 8).
Dates: (1927).

"Ein Gruss an Johannes Brahms zu seinem 60. Geburtstag."

 unspecified — Box: 17, Folder: 5
Scope and Contents note
  1. 1 ms. leaf in Jonas's hand, transcript of the Schenker article published in Die Zukunft, Feb. 1893. (For the published version see Box 20 f. 2.)
Dates: circa 20th century, undated.

"Johannes Brahms." Die Zukunft, XIX 261-265. Photocopy, (8. Mai 1897),

 unspecified — Box: 17, Folder: 6
Scope and Contents note From the Sub-Series:

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Dates: (8. Mai 1897),

"Oktaven u. Quinten u. A., Studie von Johannes Brahms, aus dem Nachlass herausgegeben u. erläutert von Heinrich Schenker." ms. leaves 1-22 in the hand of Jeanette Schenker. With 2 ms. leaves in an unidentified hand and 30 ms. note fragments in Heinrich Schenker's hand

 unspecified — Box: 17, Folder: 8
Scope and Contents note From the Sub-Series:

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Dates: circa 20th century, undated.

"Psalm 150 für Chor, Soli und Orchester. Wien, Ludwig Doblinger." Musikalisches Wochenblatt (Leipzig), XXIV 159-60. Transcript of Schenker article in Jonas's hand, 3 ms. leaves. With bibliographical notes in Jonas's and Jeanette Schenker's hands, 11 ms. leaves, (9 März 1893),

 unspecified — Box: 17, Folder: 9
Scope and Contents note From the Sub-Series:

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Dates: (9 März 1893),

"Anton Bruckner." Die Zukunft, V 135-37. Photocopy, (21. Oktober 1893),

 unspecified — Box: 17, Folder: 10
Scope and Contents note From the Sub-Series:

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Dates: (21. Oktober 1893),