Box 17
Contains 12 Results:
"Psalm 150 für Chor, Soli und Orchester. Wien, Ludwig Doblinger." Musikalisches Wochenblatt (Leipzig), XXIV 159-60. Transcript of Schenker article in Jonas's hand, 3 ms. leaves. With bibliographical notes in Jonas's and Jeanette Schenker's hands, 11 ms. leaves, (9 März 1893),
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
"Anton Bruckner." Die Zukunft, V 135-37. Photocopy, (21. Oktober 1893),
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
Excerpts from Schenker's Tagebücher concerning Furtwängler, his musicianship and his performances, selected by Jonas. 4 typescript leaves titled "Vortrag."
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
"Eine Anzeige une eine Selbstanzeige." Deutsche Zeitschrift XLVI 194-96. Photocopy (for original see Box 20 f. 10), (1933),
Review of Vrieslander's "Lieder" and "Ländler" (Verlag Emil Grunert, Leipzig); also Schenker's comment on the progress of his own work.
Symphony No. 9. Op. 125
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
"Beethoven-`Retouche'." Article by Schenker in Wiener Abendpost, Beilage zur Wiener Zeitung, p. 6-7. Photocopy (for original publication see Box 20 f. 5), 9 Jan. 1901,
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.
"Beethoven und seine Nachfahren." Article by Schenker in General-Anzeiger für Bonn und Umgegend , (1927).
- Ms., 9 leaves, in Jeanette Schenker's hand, with cover dated 27.III.27; together with 3 newspaper clippings, 1926-28, concerning Beethoven mss.
- Photocopy of published article (for clipping of original newspaper publication see Box 20 f. 8).
"Erinnerungen an Brahms." Deutsche Zeitschrift XXXXVI/8 475-482, (Mai, 1933),
- 2 copies of published article.
- 1 ms. leaf in Heinrich Schenker's hand.
"Ein Gruss an Johannes Brahms zu seinem 60. Geburtstag."
- 1 ms. leaf in Jonas's hand, transcript of the Schenker article published in Die Zukunft, Feb. 1893. (For the published version see Box 20 f. 2.)
"Johannes Brahms." Die Zukunft, XIX 261-265. Photocopy, (8. Mai 1897),
The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.