Box 24
Container
Contains 7 Results:
Chromatische Fantasie und Fuge, D moll. Kritische Ausgabe mit Anhang von Heinrich Schenker. Universal-Edition No. 2540. Wien: Universal-Edition, 50 pp. 3 copies, cop. 1-2 with a few pencil annotations; advertisement on back cover, c1910. dated X.1920.
unspecified — Box: 24, Folder: 1
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
c1910. dated X.1920.
Chromatische Phantasien und Fuge. Kritische Ausgabe von Heinrich Schenker, revidiert von Oswald Jonas. Wiener Urtext Ausgabe, Herausgeber Karl Heinz Füssel, H. C. Robbins Landon. Wien: Universal-Edition,, c1969.
unspecified — Box: 24, Folder: 2
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
c1969.
Chromatische Fantasie und Fuge, nach den Urtexten revidiert von Julius Röntgen. Plate U. E. 520. Wien: Universal-Edition 16 pp. (Acquired by Jonas to replace copy known to Schenker.), [1946?]
unspecified — Box: 24, Folder: 3
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
[1946?]
Notes found with copies of Bach's Chromatische Fantasie und Fuge
unspecified — Box: 24, Folder: 4
Scope and Contents note
- 30 leaves photocopy of pp. 3-9, 17-46 of Schenker's 1910 edition, with annotations by Schenker and Jonas.
- 10 leaves of photocopy and ms. notes of Jonas, including ms. copy (Jonas?) of first version of Bach's Prelude in C (Well-Tempered Clavier v. 2) with analysis.
Dates:
circa 20th century, undated.
Die 6 Französischen Suiten und 2 Suiten in A-moll und Es-dur. (Klavierwerke. Band II, Heft 1.) Kritische Ausgabe mit Fingersatz und Vortragsbezeichnungen versehen von Hans Bischoff. Plate 150a. Leipzig: Steingräber-Verlag 66 pp. Contains pencil annotations, [n.d.]
unspecified — Box: 24, Folder: 5
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
[n.d.]
Das Wohltemperierte Klavier I. Peters Edition. Plate 2635. 95 pp. Lacking cover, title page, and first 10 pp. of score. With annotations in Schenker's and another hand. Together with 2 leaves of photocopy of Schenker's analysis of Fuga VI (pp. 26-27) in another copy of this edition
unspecified — Box: 24, Folder: 6
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
circa 20th century, undated.
Klavierwerke, hrsg. von Czerny, Griepenkerl und Roizsch. Plate 8040. Leipzig: C. F. Peters 40 pp. [incomplete], with extensive pencil annotations in Schenker's hand, [n.d.]
unspecified — Box: 24, Folder: 7
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
[n.d.]