Box 34
Container
Contains 17 Results:
"Volks-und Berufsmusikerziehung im Lichte der neuesten Tonkunstforschung." Mitteilungen der Gesellschaft Hamburger Tonkünstler, 8. Jahrg. Nr. 71 1-2. Article about Cube's lecture at the Gesellschaft discussing Schenker theory. Marginal note in Moriz Violin's hand, (19. Mai 1934),
unspecified — Box: 34, Folder: 11
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
(19. Mai 1934),
Vrieslander, Otto. "Carl Philipp Emanuel Bach als Theoretiker," in Von Neuer Music, ed. H. Grues [222]-279. Photocopy, (1925),
unspecified — Box: 34, Folder: 12
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
(1925),
Händelfest der Händel-Gesellschaft, Zweites, Kiel, Fest- und Programmbuch, vom bis 39,, 1928. 21. Juni 24. Juni.
unspecified — Box: 34, Folder: 13
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
1928. 21. Juni 24. Juni.
Signale für die Musikalische Welt (Berlin). 78. Jahrg. no. 23 597-612. Note on cover, (9. Juni 1920),
unspecified — Box: 34, Folder: 14
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
(9. Juni 1920),
Magazines and brochures found with Schenker papers
unspecified — Box: 34, Folder: 15
Scope and Contents note
Radio-Wien, 19 leaves, 1927-1930, with annotations
Mitteilungen des Hauses Breitkopf & Härtel, Juni 1934, 24 pp.
Hausmusik für Jung und Alt, N. Simrock, 8 pp.
Eine Auswahl der besten Bücher des Jahres 1934, Sallmayer'sche...
Dates:
circa 20th century, undated.
Verse written in various hands, collected by Schenker
unspecified — Box: 34, Folder: 16
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
circa 20th century, undated.
Counterpoint and figured bass materials
unspecified — Box: 34, Folder: 17
Scope and Contents note
- 13 ms. leaves and 4 ms. note fragments. Studies by Schenker for Kontrapunkt (ca. 1915)
- 4 ms. leaves. Figured bass exercises in various hands, possibly student work.
Dates:
circa 20th century, undated.