Box 48
Container
Contains 17 Results:
Adler, Guido. "Johannes Brahms: Wirken, Wesen und Stellung." Studien zur Musikwissenschaft. Beihefte der Denkmäler der Tonkunst in Österreich, 20 1-22. Offprint, (1933),
unspecified — Box: 48, Folder: 1
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
(1933),
Beckerath, Heinz von. "Erinnerungen an Johannes Brahms." Heimat, XXIX 1-12, (Nov., 1958),
unspecified — Box: 48, Folder: 2
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
(Nov., 1958),
Federhofer, Helmut. "Zur Einheit von Wort und Ton im Lied von Johannes Brahms," in Bericht über den Internationalen Musikwissenschaftlichen Kongress, Hamburg, Offprint, 1956.
unspecified — Box: 48, Folder: 3
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
1956.
Fellinger, Imogen. "Brahms und die Musik vergangener Epochen," in Die Ausbreitung des Historismus über Musik, ed. W. Wiora (Regensburg: G. Bosse, 147-167. Offprint, inscribed by the author, 1969),
unspecified — Box: 48, Folder: 4
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
1969),
Fellinger, Imogen. über die Dynamik in der Musik von Johannes Brahms. Berlin: Max Hesse, 106 pp. With annotations and 6 leaves of ms. notes in Jonas's hand, 1961.
unspecified — Box: 48, Folder: 5
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
1961.
Fellinger, Imogen. "Zur Entstehung der `Regenlieder' von Brahms," in Festschrift Walter Gerstenberger zum 60. Geburtstag. (Wolfenbüttel: Möseler Verlag), 55-58. Offprint
unspecified — Box: 48, Folder: 6
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
circa 20th century, undated.
Friedlaender, Max. "Zuccalmaglio und das Volkslied." Jahrbücher der Musikbibliothek Peters, XXV, pp. 53-88
unspecified — Box: 48, Folder: 7
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
circa 20th century, undated.
Galston, Gottfried. Johannes Brahms (Studienbuch, V. Abend). München: Otto Halbreiter, 38pp, 1926.
unspecified — Box: 48, Folder: 8
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
1926.
Geiringer, Karl. "Johannes Brahms in Briefwechsel mit Eusebius Mandyczewski." Zeitschrift für Musikwissenschaft, XV 337-370. Offprint. Annotated in Jonas's hand, (1933),
unspecified — Box: 48, Folder: 9
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
(1933),
Gotwals, Vernon. "Brahms and the Organ." Music, IV 38-55. Corrections and annotations by the author, (April, 1970),
unspecified — Box: 48, Folder: 10
Collection Scope and Contents
From the Collection:
The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished,...
Dates:
(April, 1970),