Box 8
Contains 22 Results:
Letters of Recommendation (handwritten and typed) for Kanitz, 1920-1938
This series contains business correspondence and personal correspondence between multiple or unverified individuals and Kanitz from 1932-1975. Includes correspondence between numerous individuals about Kanitz's many compositions. Also includes correspondence with business partners as well as numerous directors, musicians, and students.
Royalty Statements (typed) from Associated Music Publishers Incorporated to Kanitz, 1953-1965
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Royalty Statements (typed) from C.C. Birchard to Kanitz, 1949-1958
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Royalty Statements (typed) from Carl Fischer Incorporated to Kanitz, 1942-1965
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Royalty Statements (typed) from Smith College to Kanitz, 1954-1965
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Correspondence (handwritten and typed) between various universities and Kanitz (regarding his works and performances), 1943-1963
This series contains business correspondence and personal correspondence between multiple or unverified individuals and Kanitz from 1932-1975. Includes correspondence between numerous individuals about Kanitz's many compositions. Also includes correspondence with business partners as well as numerous directors, musicians, and students.
Bequest Documents from Ernest Kanitz to the University of Southern California (typed) (includes photocopies), 1972
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Invoices (typed) for "Counterpoint Manual" by Kanitz, 1948
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Royalty Statements (typed) from Affiliated Musicians Incorporated to Kanitz, 1954-1956
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Royalty Statements (typed) from Hall and McCreary Company to Kanitz, 1944-1965
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.