Box 8
Contains 22 Results:
Royalty Statements (typed) from Mills Music Incorporated to Kanitz, 1956-1969
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Opera Contracts (typed) between Carl Fischer Incorporated and Kanitz, 1940-1948
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Opera Contracts (typed) between Hall and McCreary Company and Kanitz, 1939
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Opera Contracts (typed) between Mills Music Incorporated and Kanitz, 1959
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Opera Contracts (typed) between the Screen Writers Guild and Kanitz, 1952
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Opera Contacts (typed) between various music publishers and Kanitz, 1942-1957
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Teaching Contracts (typed) between University of Southern California, Marymount College, and Kanitz, 1945-1964
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Copyright Certificates (handwritten and typed) for various works by Kanitz, 1947-1972
This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.
Correspondence (handwritten and typed) between various students and Kanitz, 1961
This series contains business correspondence and personal correspondence between multiple or unverified individuals and Kanitz from 1932-1975. Includes correspondence between numerous individuals about Kanitz's many compositions. Also includes correspondence with business partners as well as numerous directors, musicians, and students.
Correspondence (handwritten and typed) between various students and Kanitz, 1962-1963
This series contains business correspondence and personal correspondence between multiple or unverified individuals and Kanitz from 1932-1975. Includes correspondence between numerous individuals about Kanitz's many compositions. Also includes correspondence with business partners as well as numerous directors, musicians, and students.