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Box 12

 Container

Contains 17 Results:

Counterpoint workbook, 1948-1954

 File — Multiple Containers
Series Scope and Contents From the Series:

This series contains lectures written by Kanitz from 1948-1963. Many of Kanitz's lectures were given during his time as a music professor at Marymount College, in Palos Verdes where he taught for four years.

Dates: 1948-1954

The Inside Story (typed) lecture by Kanitz, undated

 File — Box: 12, Folder: 14
Series Scope and Contents From the Series:

This series contains lectures written by Kanitz from 1948-1963. Many of Kanitz's lectures were given during his time as a music professor at Marymount College, in Palos Verdes where he taught for four years.

Dates: undated

Kanitz lectures 1-3 (typed and handwritten) from Marymount College, 1963

 File — Box: 12, Folder: 15
Series Scope and Contents From the Series:

This series contains lectures written by Kanitz from 1948-1963. Many of Kanitz's lectures were given during his time as a music professor at Marymount College, in Palos Verdes where he taught for four years.

Dates: 1963

Kanitz lectures 4-6 (typed and handwritten) from Marymount College, undated

 File — Box: 12, Folder: 16
Series Scope and Contents From the Series:

This series contains lectures written by Kanitz from 1948-1963. Many of Kanitz's lectures were given during his time as a music professor at Marymount College, in Palos Verdes where he taught for four years.

Dates: undated

Kanitz lectures (typed and handwritten) from Marymount College, 1961-1963

 File — Box: 12, Folder: 17
Series Scope and Contents From the Series:

This series contains lectures written by Kanitz from 1948-1963. Many of Kanitz's lectures were given during his time as a music professor at Marymount College, in Palos Verdes where he taught for four years.

Dates: 1961-1963

Little Concerto for Unaccompanied Saxophone (typed) program and other materials, 1970

 File — Box: 12, Folder: 1
Series Scope and Contents From the Series:

This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.

Dates: 1970

Magic Dance (typed) orchestration and other materials, 1942-1944

 File — Box: 12, Folder: 2
Series Scope and Contents From the Series:

This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.

Dates: 1942-1944

Notturno (typed) orchestration and other materials, 1971

 File — Box: 12, Folder: 3
Series Scope and Contents From the Series:

This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.

Dates: 1971

Perpetual (typed and handwritten) orchestration and other materials, 1960

 File — Box: 12, Folder: 4
Series Scope and Contents From the Series:

This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.

Dates: 1960

Royal Auction and Room No.12 (typed and handwritten) orchestration and other materials, undated

 File — Box: 12, Folder: 5
Series Scope and Contents From the Series:

This series includes opera contracts, royalty statements, orchestrations and other materials. Includes the Royalty Statements for Kanitz's copyrighted compositions, as well as opera contracts with various music publishers between 1932-1972. The orchestrations are drafts from Kanitz's published materials, as well as his students work.

Dates: undated